“It’s an honour to have Mark join me on stage, and a real stamp of approval for this tour,” Kurano says.
DUPLEXITY features three newly commissioned works by young New Zealand composers Liam Furey, Georgina Palmer and Robin Watson, as well as a new work by Kurano.
“New Zealand has so many incredibly talented young composers, and I want to share their music across the country,” he says.
Also on the programme are familiar works by composers such as Brahms, Schumann and Piaolla.
Originally from Japan, Kurano has established himself in Aotearoa New Zealand as a versatile violinist, violist, pianist, composer and conductor. He graduated with a Bachelor of Music in Performance and Composition from the University of Canterbury last year and continued with an honours degree this year.
Kurano already has a long list of performing credits to his name in New Zealand, Vietnam and Japan. Awards include the Lilburn Trust Award in 2020 for the composition Alien Abduction Suite, the 2019 NZTrio composing competition for Fantail in Tokyo and NZ Harp Duo composition competition wins in 2016 and 2017.
This isn’t Kurano’s first time on the road. In January 2021, the Baroque Music Community and Educational Trust of New Zealand commissioned him to compose a 15-minute Concerto Grosso for their 2021 Baroque summer workshop and tour. The work was the final piece in the programme on the 11-concert tour and was met with numerous standing ovations. Peter Mechen called it a “splendid work” in a review for Middle-C.
DUPLEXITY is supported by University of Canterbury’s School of Music and will tour to Wanaka (27 August), Auckland (28 August), Stewart Island (30 August), Christchurch (4 September), Dunedin (5 September), and Timaru (6 September). Tickets are available on Eventfinda and at the door (cash only).