300-level

ENGL305
European Novels and Film Adaptations
Description
A study of important European novels and their film adaptations.
Occurrences
Semester Two 2024
Points
30 points
Prerequisites
Any 30 points at 200 level from CINE, ENGL, EURA, or RUSS, or any 60 points at 200 level from the Schedule V of the BA.
Restrictions
EULC204, EULC304, EURA204, EURA304, CINE214, RUSS215, RUSS216
ENGL315
The Contemporary Novel
Description
The novelist and philosopher Jean Paul Sartre once described the experience of the contemporary as like looking out the back of a moving car: the present, glimpsed through the side windows, appears as a blur, but as one looks through the rear window the blur begins to take the forms we recognise as constituents of contemporary experience, now seen with the aid of perspective. To study the contemporary novel is to read for what the poet T.S. Eliot called the ‘pastness’ of the present, which involves reading for the ways in which the novel form has been, and will continue to be, used to question, critique, and imagine the contemporary.The course will look primarily at novels from the Twentieth Century, but will conclude with a look towards recent twenty-first century fiction.
Occurrences
Semester Two 2024
Points
30 points
Prerequisites
Any 30 points at 200 level from ENGL, or any 60 points at 200 level from the Schedule V of the BA.
ENGL352
Crime Stories
Description
The course addresses the usefulness and range of the crime genre as an appropriate focus for the acquisition of the skills (in research, critical analysis, and written expression) peculiar to English studies, as well as a form of social and political critique. It will particularly concentrate on the last two centuries of the representations of crime, detection, confession, and punishments, assaying major trends and preoccupations present in a range of texts and theories. Within a general contextual examination of engagements between these facets, the development of genre forms and concerns will be considered, especially because the genre often speculates the fears and desires of its time in ways that likewise shape wider perceptions of crime and punishment. Students will be expected to read a range of key material, including a small selection of novels, some short fiction, theoretical writings and visual texts that should represent differences and similarities in representation and subject choice that writers and directors negotiate.
Occurrences
Semester One 2024
Points
30 points
Prerequisites
Any 30 points at 200 level from CULT or ENGL, or any 60 points at 200 level from the Schedule V of the BA.
Restrictions
ENGL252; CULT252; CULT352

Not Offered Courses in 2024

300-level

ENGL313
Scream Theory: The Changing Face of Fear
Description
This course examines shifting representations of the fearful, monstrous and abject in visual culture and popular culture more generally. Emphasis is placed on sociocultural, feminist and postmodern interpretations of horror themes in American, Japanese and New Zealand contexts.
Occurrences
Not offered 2024
For further information see ENGL313 course details
Points
30 points