keyboard_arrow_right
Home
keyboard_arrow_right
Study
keyboard_arrow_right
Academic study options
keyboard_arrow_right
Course Search
Search Courses
Year
2024
Search by Subject
Select a Subject
Accounting
Accounting and Information Systems
Aerospace Engineering
American Studies
Antarctic Studies
Anthropology
Applied Psychology
Architectural Engineering
Art Curatorship
Art History
Art History and Theory
Art Theory
Arts
Astronomy
Audiology
Bicultural Co-Governance
Biochemistry
Bioengineering
Biological Sciences
Biosecurity
Biotechnology
Bridging Programmes
Business
Business (micro-credential)
Business Administration
Business Information Systems
Business Management
CCEL
Cellular and Molecular Biology
Chemical and Process Engineering
Chemical, Natural and Healthcare Product Formulation
Chemistry
Child and Family Psychology
Chinese
Cinema Studies
Civil Engineering
Classics
Communication Disorders
Computational and Applied Mathematical Sciences
Computational and Applied Mathematics
Computer Engineering
Computer Science
Construction Management
Counselling
Criminal Justice
Cultural Studies
Data Science
Digital Arts, Social Sciences and Humanities
Digital Education Futures
Digital Humanities
Digital Screen
Disaster Risk and Resilience
Earthquake Engineering
Ecology
Economics
Education
Electrical and Electronic Engineering
Engineering
Engineering (micro-credential)
Engineering Geology
Engineering Management
Engineering Mathematics
English
Environmental Science
European Studies
European Union Studies
European and European Union Studies
Finance
Finance and Economics
Financial Engineering
Financial Management
Fine Arts
Fire Engineering
Forest Engineering
Forestry
French
Gender Studies
Geographic Information Science
Geography
Geology
German
Graphic Design
Hazard and Disaster Management
Health Education
Health Sciences
Higher Education
History
Human Interface Technology
Human Services
Human-Animal Studies
Indigenous Narrative
Information Systems
Innovation
International Business
International Law and Politics
Japanese
Journalism
Languages and Cultures
Law
Linguistics
Literacy (micro-credential)
Management
Maori Innovation
Maori and Indigenous Studies
Marketing
Mass Communication
Mathematical Physics
Mathematical Sciences Education
Mathematics
Mathematics and Philosophy
Mechanical Engineering
Mechatronics Engineering
Media and Communication
Medical Physics
Microbiology
Moving Image
Music
Natural Resources Engineering
Pacific Studies
Painting
Philosophy
Photography
Physical Activity
Physics
Political Science
Political Science and International Relations
Printmaking
Product Design
Professional Accounting
Professional and Community Engagement
Psychology
Research methods in Sport
Russian
Science
Science Education
Science, Maori and Indigenous Knowledge
Sculpture
Social Work
Social and Environmental Sustainability
Sociology
Software Engineering
Soil Science
Spanish
Speech and Language Pathology
Speech and Language Sciences
Sport Business
Sport Coaching
Sport Science
Statistics
Systems Change
Taxation
Te Reo Maori
Teacher Education
Transitions
Translation and Interpreting
Transportation Engineering
Water Resource Management
Water Science and Management
Writing
Youth and Community Leadership
Year
2024
Use the Tab and Up, Down arrow keys to select menu items.
Sort by
Level - Alphabetic
Level - Numeric
Semester
Subject
Jump to
200-level
COMS201
Media Audiences
Description
How does our media consumption shape our opinions, actions, identities and lives? How do audiences influence the production and circulation of media? How do we create our own media presence online, and act as an audience for each other? This course examines the relationship between audiences and media. We discuss theory and research that represents audiences as passive consumers of media products, active decoders of media texts, producers of our own representations online, and participants in interactive media production. The course looks at a broad range of media forms and content to reflect and build on your own experiences of being media audience members. "Media Audiences" will encourage you to reflect on your own relationship with media, and to consider the broader contexts that shape your listening, viewing, reading, and interaction. This course has on-campus and distance options. It has a one hour lecture and a two-hour workshop each week. The course includes group work in classes and for assessments, and requires active in-class engagement. You will advance core skills in reading and carrying out research, with reflection, collaborative work, networking, creativity, writing and presentation.
Occurrences
COMS201-24S2 (C)
Semester Two 2024
COMS201-24S2 (D)
Semester Two 2024 (Distance)
Points
15 points
Prerequisites
Any 15 points at 100 level from COMS or CULT, or any 60 points at 100 level from the Schedule V of the BA.
Restrictions
CULT201
CINE224
Children's Classics: Popular Children's Texts and their Representation on Film
Description
Children's Classics teaches the genre-specific nature of children's literature, its socio-historical contexts, and the significance of its re-readings as film. It introduces a selection of enduring children's texts, illustrating the importance to literary production of changing cultural context, demonstrating the importance of intertextuality in children's literature and how texts change when filmed, and promotes the skills of reading and writing.
Occurrences
CINE224-24S2 (C)
Semester Two 2024
Points
15 points
Prerequisites
Any 15 points at 100 level from CINE or ENGL, or any 60 points at 100 level from the Schedule V of the BA.
Restrictions
ENGL213
Not Offered Courses in 2024
200-level
CINE202
Film and Theory
Description
The class sets the foundations for a working knowledge of the major debates that have informed Cinema Studies. Students will gain the necessary tools to use and understand the language of film theory and criticism.
Occurrences
Not offered 2024, offered in 2014
, 2015
, 2019
, 2020
, 2021
For further information see
CINE202 course details
Points
15 points
CINE225
The Cinema of Contagion
Description
This course asks how a ‘cinema of contagion’ might offer a lens through which we can better understand our precarious place in this world. It considers contagion in a literal sense, by exploring how a variety of international films from the 20th and 21st centuries represent illness, viral outbreaks, plagues, parasitic invasions, and social controls such as quarantine measures. It analyses how filmmakers use contagion metaphorically or allegorically, including as an aesthetic strategy. It also explores how questions of embodiment, subjectivity and mortality are explored through different genres and national cinemas.
Occurrences
Not offered 2024, offered in 2020
, 2023
For further information see
CINE225 course details
Points
15 points