Use the Tab and Up, Down arrow keys to select menu items.
Students learn about current practices and methods of audio recording in today’s post production industry. Advanced techniques in audio recording in a range of situations are covered, including location recording and production sound mixing, ambient and environmental sound capture, and foley and sound effects recording. Students will gain comprehensive microphone techniques and common approaches stereo and multichannel recording, as well as advanced concepts in 3D and multichannel sound capture.
· Have acquired detailed knowledge of microphone theory and operation.· Be able to evaluate different sound environments and choose an appropriate approach. · Understand the sonic expectations of a range of genres.· Demonstrate knowledge of current industry trends in surround and 3D recording.
MUSA125
Students must attend one activity from each section.
Hamish Oliver
A handbook to field recording in New Zealand ; , 1958.
Murphym John J; Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image ; London: Bloomsbury.
Sterne, Jonathan; The Sound Studies Reader ; New York: Routledge, 2012.
Viers, Ric; The Location Sound Bible: How to Record Professional Dialogue for Film and TV ; Studio City, CA: Michael Wiese Productions, 2013.
Domestic fee $1,059.00
International fee $6,000.00
* All fees are inclusive of NZ GST or any equivalent overseas tax, and do not include any programme level discount or additional course-related expenses.
For further information see Creative and Digital Arts .