CINE302-22S1 (C) Semester One 2022

Documentary: From the Margins to the Mainstream

30 points

Details:
Start Date: Monday, 21 February 2022
End Date: Sunday, 26 June 2022
Withdrawal Dates
Last Day to withdraw from this course:
  • Without financial penalty (full fee refund): Sunday, 6 March 2022
  • Without academic penalty (including no fee refund): Sunday, 15 May 2022

Description

This course examines the artistic, ethical and political principles that govern the representation of reality in contemporary documentary film.

Since the early 200s, there has been an incredible resurgence of interest in documentary film.  Due to the critical and commercial success of a number of recent films, documentary has moved from a modest place in film history to a privileged position within contemporary cinema.  This course will examine the artistic and political principles of documentary in the light of the current renaissance in the genre.  The first term is devoted to a study of a number of canonical films from the history of documentary.  In the second term, we analyse the points of comparison and difference between some high-profile examples of contemporary documentary and their historical precedents.

Learning Outcomes

  • Students will gain an understanding of a range of critical and conceptual issues.  The theoretical focus of the course will be the vexed relationship between representation and reality that defines documentary film.  Topics will include:
  • the credibility, veracity and authenticity of the documentary image
  • documentary film as historical record, factual evidence, objective witness
  • the rhetorical strategies and ideological positions adopted by documentary filmmakers
  • authorship and performance
  • the use of fiction filmmaking techniques in documentary: narrative structure, dramatic form, cinematic style
  • production, exhibition and distribution practices
  • the impact of digital technology and new media upon documentary
    • University Graduate Attributes

      This course will provide students with an opportunity to develop the Graduate Attributes specified below:

      Critically competent in a core academic discipline of their award

      Students know and can critically evaluate and, where applicable, apply this knowledge to topics/issues within their majoring subject.

      Biculturally competent and confident

      Students will be aware of and understand the nature of biculturalism in Aotearoa New Zealand, and its relevance to their area of study and/or their degree.

      Globally aware

      Students will comprehend the influence of global conditions on their discipline and will be competent in engaging with global and multi-cultural contexts.

Prerequisites

Any 30 points at 200 level from CINE or CULT, or
any 60 points at 200 level from the Schedule V of the BA.

Restrictions

Equivalent Courses

Timetable 2022

Students must attend one activity from each section.

Lecture A
Activity Day Time Location Weeks
01 Thursday 16:00 - 18:00 A9 Lecture Theatre
21 Feb - 10 Apr
2 May - 5 Jun
Film Screening A
Activity Day Time Location Weeks
01 Wednesday 15:00 - 18:00 A9 Lecture Theatre
21 Feb - 10 Apr
2 May - 5 Jun

Course Coordinator

Alan Wright

Assessment

Assessment Due Date Percentage  Description
Essay 50% 3,00 words
Test 30% Take Home Test
Group Presentation 20% with 1,500 word report


Please check the course LEARN page for further details and updates.

Textbooks / Resources

Recommended reading:
(NB. These texts will be on reserve in the library.)
• New Documentary, 2nd Ed. Stella Bruzzi.
• Imagining Reality, 2nd Ed.  Eds. MacDonald & Cousins
• Introduction to Documentary, Bill Nichols
• The Subject of Documentary, Michael Renov
• Documentary, Dave Saunders

Films will include:
• Lumière Brothers films
• The Great White Silence (Ponting, 1929)
• John Grierson films
• Man with a Movie Camera (Vertov, 1929)
• Triumph of the Will (Riefenstahl, 1935)                                
• Salesman (Maysles Brothers, 1968)
• Tangata Whenua (Barclay and King, 1974)
• Bastion Point: Day 507 (Mita, Pohlmann, Narbey, 1980)
• Touching the Void (McDonald, 2003)
• Fahrenheit 9/11 (Moore, 2004)                                
• Grizzly Man (Herzog, 2005)
• The Act of Killing (Oppenheimer, 2012)
• Leviathan (Castaing-Taylor and Paravel, 2012)
• Amy (Kapadia, 2015)

Indicative Fees

Domestic fee $1,597.00

International fee $7,200.00

* All fees are inclusive of NZ GST or any equivalent overseas tax, and do not include any programme level discount or additional course-related expenses.

For further information see Humanities and Creative Arts .

All CINE302 Occurrences

  • CINE302-22S1 (C) Semester One 2022